Human, All Too Human
SECTION ONE
Of First and Last Things1
1
Chemistry of concepts and feelings. In almost all respects, philosophical problems today are again formulated as they were two thousand years ago: how can something arise from its opposite--for example, reason from unreason, sensation from the lifeless, logic from the illogical, disinterested contemplation from covetous desire, altruism from egoism, truth from error? Until now, metaphysical philosophy has overcome this difficulty by denying the origin of the one from the other, and by assuming for the more highly valued things some miraculous origin, directly from out of the heart and essence of the "thing in itself."2 Historical philosophy, on the other hand, the very youngest of all philosophical methods, which can no longer be even conceived of as separate from the natural sciences, has determined in isolated cases (and will probably conclude in all of them) that they are not opposites, only exaggerated to be so by the popular or metaphysical view, and that this opposition is based on an error of reason. As historical philosophy explains it, there exists, strictly considered, neither a selfless act nor a completely disinterested observation: both are merely sublimations. In them the basic element appears to be virtually dispersed and proves to be present only to the most careful observer.
All we need, something which can be given us only now, with the various sciences at their present level of achievement, is achemistry of moral, religious, aesthetic ideas and feelings, a chemistry of all those impulses that we ourselves experience in the great and small interactions of culture and society, indeed even in solitude. What if this chemistry might end with the conclusion that, even here, the most glorious colors are extracted from base, even despised substances? Are there many who will want to pursue such investigations? Mankind loves to put the questions of origin and beginnings out of mind: must one not be almost inhuman to feel in himself the opposite inclination?
All we need, something which can be given us only now, with the various sciences at their present level of achievement, is achemistry of moral, religious, aesthetic ideas and feelings, a chemistry of all those impulses that we ourselves experience in the great and small interactions of culture and society, indeed even in solitude. What if this chemistry might end with the conclusion that, even here, the most glorious colors are extracted from base, even despised substances? Are there many who will want to pursue such investigations? Mankind loves to put the questions of origin and beginnings out of mind: must one not be almost inhuman to feel in himself the opposite inclination?
1. "Last Things" (die letzten Dinge) refers to eschatology.
2. Ding an sich: the thing in itself, in Kant's Critique of Pure Reason (1781), refers to the existent as it exists independently of our knowledge; a noumenon, a thing of the mind rather than of the senses; that which a thing is when there is no human perception of it, i.e., when it is in "essence" rather than in "appearance."
2. Ding an sich: the thing in itself, in Kant's Critique of Pure Reason (1781), refers to the existent as it exists independently of our knowledge; a noumenon, a thing of the mind rather than of the senses; that which a thing is when there is no human perception of it, i.e., when it is in "essence" rather than in "appearance."
2
Congenital defect of philosophers. All philosophers suffer from the same defect, in that they start with present‑day man and think they can arrive at their goal by analyzing him. Instinctively they let "man" hover before them as an aeterna veritas,3 something unchanging in all turmoil, a secure measure of things. But everything the philosopher asserts about man is basically no more than a statement about man within a very limited time span. A lack of historical sense is the congenital defect of all philosophers. Some unwittingly even take the most recent form of man, as it developed under the imprint of certain religions or even certain political events, as the fixed form from which one must proceed. They will not understand that man has evolved, that the faculty of knowledge has also evolved, while some of them even permit themselves to spin the whole world from out of this faculty of knowledge.
Now, everything essential in human development occurred in primeval times, long before those four thousand years with which we are more or less familiar. Man probably hasn't changed much more in these years. But the philosopher sees "instincts" in present-day man, and assumes that they belong to the unchangeable facts of human nature, that they can, to that extent, provide a key to the understanding of the world in general. This entire teleology is predicated on the ability to speak about man of the last four thousand years as if he were eternal, the natural direction of all things in the world from the beginning. But everything has evolved; there are no eternal facts, nor are there any absolute truths. Thushistorical philosophizing is necessary henceforth, and the virtue of modesty as well.
Now, everything essential in human development occurred in primeval times, long before those four thousand years with which we are more or less familiar. Man probably hasn't changed much more in these years. But the philosopher sees "instincts" in present-day man, and assumes that they belong to the unchangeable facts of human nature, that they can, to that extent, provide a key to the understanding of the world in general. This entire teleology is predicated on the ability to speak about man of the last four thousand years as if he were eternal, the natural direction of all things in the world from the beginning. But everything has evolved; there are no eternal facts, nor are there any absolute truths. Thushistorical philosophizing is necessary henceforth, and the virtue of modesty as well.
3. eternal truth
3
Esteeming humble truths. It is the sign of a higher culture to esteem more highly the little, humble truths, those discovered by a strict method, rather than the gladdening and dazzling errors that originate in metaphysical and artistic ages and men. At first, one has scorn on his lips for humble truths, as if they could offer no match for the others: they stand so modest, simple, sober, even apparently discouraging, while the other truths are so beautiful, splendid, enchanting, or even enrapturing. But truths that are hard won, certain, enduring, and therefore still of consequence for all further knowledge are the higher; to keep to them is manly, and shows bravery, simplicity, restraint. Eventually, not only the individual, but all mankind will be elevated to this manliness, when men finally grow accustomed to the greater esteem for durable, lasting knowledge and have lost all belief in inspiration and a seemingly miraculous communication of truths.
The admirers of forms,4 with their standard of beauty and sublimity, will, to be sure, have good reason to mock at first, when esteem for humble truths and the scientific spirit first comes to rule, but only because either their eye has not yet been opened to the charm of the simplest form, or because men raised in that spirit have not yet been fully and inwardly permeated by it, so that they continue thoughtlessly to imitate old forms (and poorly, too, like someone who no longer really cares about the matter). Previously, the mind was not obliged to think rigorously; its importance lay in spinning out symbols and forms. That has changed; that importance of symbols has become the sign of lower culture. Just as our very arts are becoming ever more intellectual and our senses more spiritual, and as, for example, that which is sensually pleasant to the ear is judged quite differently now than a hundred years ago, so the forms of our life become ever more spiritual--to the eye of older timesuglier, perhaps, but only because it is unable to see how the realm of internal, spiritual beauty is continually deepening and expanding, and to what extent a glance full of intelligence can mean more to all of us now than the most beautiful human body and the most sublime edifice.
The admirers of forms,4 with their standard of beauty and sublimity, will, to be sure, have good reason to mock at first, when esteem for humble truths and the scientific spirit first comes to rule, but only because either their eye has not yet been opened to the charm of the simplest form, or because men raised in that spirit have not yet been fully and inwardly permeated by it, so that they continue thoughtlessly to imitate old forms (and poorly, too, like someone who no longer really cares about the matter). Previously, the mind was not obliged to think rigorously; its importance lay in spinning out symbols and forms. That has changed; that importance of symbols has become the sign of lower culture. Just as our very arts are becoming ever more intellectual and our senses more spiritual, and as, for example, that which is sensually pleasant to the ear is judged quite differently now than a hundred years ago, so the forms of our life become ever more spiritual--to the eye of older timesuglier, perhaps, but only because it is unable to see how the realm of internal, spiritual beauty is continually deepening and expanding, and to what extent a glance full of intelligence can mean more to all of us now than the most beautiful human body and the most sublime edifice.
4. Artists and aesthetes, as opposed to scientists.
4
Astrology and the like. It is probable that the objects of religious, moral, and aesthetic sensibility likewise belong only to the surface of things, although man likes to believe that here at least he is touching the heart of the world. Because those things make him so deeply happy or unhappy, he deceives himself, and shows the same pride as astrology, which thinks the heavens revolve around the fate of man. The moral man, however, presumes that that which is essential to his heart must also be the heart and essence of all things.
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