The writer writes the reader.
Why is weight, justice, moral? To weigh in.
The body.
The heart has reason that reason doesn't know. –Pascal
Marriage as a beginning.
The story allows the characters to get to
know things about themselves that they didn’t know before.
Nothing great ever happens without
enthusiasm. –Emerson
Nostalgia- pain to return to the very thing
you left behind.
If art does not enlarge peoples sympathies,
it does nothing morally.
Prism- pressure, compression, that allows
light to fracture, to shine through and guide.
This is what a great character or book does for us, it compress the
light and directs it.
Rebecca Mead in Seven Words: "In the middle, I hope, and beginning"
A passionate attachment to a great work of literature can shape our lives and help us to read our own histories.
For Rebecca Mead, that book was George Eliot's Middlemarch, which she first read as a young woman in an English coastal town, and reread regularly throughout her life. In My Life In Middlemarch, the New Yorker writer revisits her own past and Eliot's work in a new way, by leading us into the life that the book made for her, as well as the many lives the novel has led since it was written. Employing a structure that mirrors that of the novel, My Life in Middlemarch blends biography, reporting, and memoir, taking the themes of Eliot's masterpiece--the complexity of love, the meaning of marriage, the foundations of morality, and the drama of aspiration and failure--and bringing them into our world. Mead comes to LIVE from the NYPL to explore the enduring power of Middlemarch, and how the books we read help us read our own lives.
"Rebecca Mead has written a singular and inventive tale about her favorite book, and how it has changed -- and changed her -- over many years of reading and re-reading. Anyone who has ever loved the characters in a novel as dearly as we love our own families will recognize the passion, the devotion, the intimacy and the joy of returning again and again to a revered classic. Both a memoir and a biography, both an homage and a homecoming, My Life in Middlemarch is a perfectly composed offering of literary love and self-observation. I adored it, and it will forever live on my bookshelf next to my own precious paperbacks of George Eliot." - Elizabeth Gilbert
Rebecca Mead is a staff writer for the New Yorker and the author of One Perfect Day: The Selling of the American Wedding. She lives in Brooklyn.
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